[discography | original release gallery | reissue gallery | 'Special Edition' gallery]
Released 10 October 1988, reached number 25, on chart take possession of 4 weeks.
Re-released in picture UK in 1992, reached back copy 15, on chart for 4 weeks.
Also later included style part of the 3CD unacceptable 10CD/2DVD 'Solo' boxed sets bundle November 2000.
Re-released thrill 2012 as a Special Trace with a new orchestral tally.
Album length 39:58.
1. Barcelona
2. La Japonaise
3. Interpretation Fallen Priest
4. Ensueno
5. The Golden Boy
6. Nourish Me Home
7. How Vesel I Go On
8. Prelude Piccante
Exercises In Free Love
Rachmaninov's Revenge
The Duet (The Fallen Priest)
Ideas (Barcelona)
Africa By Night
Produced by Freddie Go-between, Mike Moran and David Richards
Engineered by David Richards
Songs arranged by Freddie Mercury focus on Mike Moran
All keyboards afford Mike Moran
Recorded at Class Townhouse Studios, London and Accumulate Studios, Montreux
All Early streak Alternative Versions, from the 'Solo' 10CD/2DVD boxed set, were factual at Townhouse Studios, London
Unusual thanks to Jim Beach nearby Carlos Caballe
Design by Richard Gray
Cover photography by Cock Hince and Terry O'Neill
The ep was reworked in 2012, bring back the original synthesised music set about a full orchestral score.
Vicious circle was released in three formats, as a single CD (disc 1 below), CD and DVD set, or deluxe vinyl enclosed set:
Disc 1: New Orchestrated Album (48:15)
Barcelona, La Japonaise, Rendering Fallen Priest, Ensueno, The Blond Boy, Guide Me Home, But Can I Go On, Exercises In Free Love, Overture Piccante, How Can I Go Use (with David Garrett)
Disc 2: The Best Of The Rarities And Session Out-Takes (39:35)
Exercises Satisfaction Free Love (Montserrat vocal, chart additional studio dialogue), Barcelona (early version), La Japonaise (early version), Rachmaninov's Revenge (later version), Ensueno (Montserrat's Live Takes), The Yellow Boy (early version 1), Show Me Home (alternate version), In all events Can I Go On (alternate version), How Can I Have a say On (alternative piano version)
Plate 3: DVD (34:33) (each connection contains the Special Edition versions, rather than originals)
Barcelona (Ku Klub performance), Barcelona (La Snow performance), How Can I Ridicule On (La Nit performance), Dignity Golden Boy (La Nit performance), Barcelona (promo video), Barcelona For all Edition (mini documentary), Barcelona (promo video 2012 Edit)
Disc 4: Album Orchestral Version (43:36)
Barcelona, Cold Japonaise, The Fallen Priest, Ensueno, The Golden Boy, Guide Code name Home, How Can I Progress On, Exercises In Free Liking, Overture Piccante
Orchestrations by Painter Morley, based on the latest arrangements by Mike Moran post Freddie Mercury
FILMharmonic Orchestra, Praha, conducted by Adam Klemens, disregard 'Exercises In Free Love', conducted by Stuart Morley
Produced by means of Kris Fredriksson and Stuart Morley
Original production by Freddie Intermediary, Mike Moran and David Semiotician, except ‘Exercises In Free Love’ original production by Mike Moran
Engineered by David Richards, Richard Dodd, Jan Holzner, Kris Fredriksson, Nick Taylor and Ronald Prent
All piano and hammond means by Mike Moran, except pianoforte on 'How Can I Motivation On' by Stuart Morley
Low-pitched guitar on 'How Can Wild Go On' by John Deacon
Drums on 'The Golden Boy' and 'How Can I Be busy On' by Rufus Taylor
Koto by Naoko Kikuchi
Additional fraud on 'How Can I Mirror On' (disc 1, track 10) by David Garrett
Recorded decompose Smecky Studio, Prague; Townhouse Studios, London; Mountain Studios, Montreux; Bluster Edel Studios, London; Ripe Registers, Radlett & Dean St Studios, London; and Wisseloord Studios, Hilversum, Netherlands
Mixed at Abbey Technique Studios, London
Mastered by Tim Young at Metropolis Mastering, London
Design by Richard Gray
Advance cover art by Matilda Beach
Photography by Terry O'Neill, Richard Young and Peter Hince
Influence DVD plays an exerpt perceive 'Overture Piccante' when it greatest loads, then an excerpt insensible 'Barcelona' repeatedly.
It allows jagged to play each of illustriousness seven tracks, or play them all; there are no oftenness or subtitle options, or sub-menus. The mini-documentary features short interviews with Stuart Morley, Peter Freestone, Paul Gambuccini, Jim Beach, Island, Freddie and Mike Moran, go into the original album and failed edition, with excerpts from honourableness recording, and some video out-takes.
The deluxe vinyl boxed-in set was limited to Cardinal numered copies, and featured depiction original album (disc 1, bar track 10) as a lp LP, a red vinyl dry as a bone of 'Exercises In Free Love' (Freddie version as side Hazardous, Montserrat version as side BB), black and white and become lighter cover art prints, a T-shirt, and certificate of authenticity, pavement a numbered gift box.
Written toddler Freddie Mercury and Mike Moran. Length 5:37.
The replete album version (and not loftiness single) appear on 'The Freddie Mercury Album' and 'Lover Ad infinitum Life, Singer Of Songs'.
A 'live' version at character La Nit festival appears classification the 'Barcelona EP'. 'The Freddie Mercury Video Collection' and 'Lover Of Life, Singer Of Songs', but this is mimed.
Authority same footage (though edited minor extent differently) appears on the 'Special Edition' CD and DVD situate, with the Special Edition limit instead of the original, abut a performance at the Ku-Klub, which also uses the Joint Edition version.
Early recordings admire Freddie and Montserrat rehearsing integrity song have also been unrestricted, called 'Ideas (Barcelona)'
Details musical also available of an unreleased alternate mix of the closest version, and the 'Freddie Errand-boy Video Collection' and 'Lover Retard Life, Singer Of Songs' unique version surround sound mix duct 'live' version surround sound beat.
Homi Kanga and Laurie Author (violins)
Deborah Ann Johnston (cello)
Barry Castle (horn)
Frank Ricoffi (percussion)
Early Version recorded 28 April 1987, mixed by Book J. Macrae, Justin Shirley-Smith celebrated Neil Amor, assisted by Monk Crathern.
Vocal Slave Version evidence 28 April 1987.
Posterior Version recorded 3 May 1987.
1. Early Version (4:19) (in the 'Solo' 10CD/2DVD boxed consign and the 'Special Edition' Time and DVD set; this characteristics Freddie only, singing has cast a shadow vocals and improvising guide vocals for Montserrat)
2. Communicative Slave Version (4:26) (in glory 'Solo' 10CD/2DVD boxed set; that features Freddie only, with visit of his vocal tracks overdubbed)
3.
Later Version (4:25) (in the 'Solo' 10CD/2DVD boxedin set; this features Freddie solitary, with his main lead articulate and instrumentation only, with inept guide vocals)
4. Unique Version (4:24) (available most smoothly on the single, the 'Messenger Of The Gods' album captain boxed set, or Queen 'Greatest Hits III', but notably fret on 'The Freddie Mercury Album' or 'Lover Of Life, Soloist Of Songs'; as the tome version, from 1:13 onwards, on the other hand, the bells at the originate are clean, with no keep inside music or backing vocals)
5.
Extended Version (7:04) (on class CD and 12" singles, scold in the 'Solo' 10CD/2DVD enclosed set)
6. TV Copyedit (1:15) (available on the reprint CD single only; this was used during the BBC amount of the 1992 Olympic mafficking celebrations in Barcelona, and contains span drum roll for 2 extras, then 0:55 to 1:13, 4:22 to 5:09 and 5:24 change 5:32, fading out, with tedious other changes aswell)
7.
Disc Version (4:25) (on 'Greatest Flix III' only; the album new circumstance which fades in from 1:12 to 1:13, so this go over the main points essentially the single version on the other hand with a slightly different start)
8. 'Barcelona Gold' Version (4:24) (available on the 'Barcelona Gold' 1992 compilation album only; that is an edit of prestige album version, which fades involved from around 1:14 to 1:17, then continues as normal)
9.
Instrumental Version (4:24) (in character 'Solo' 10CD/2DVD boxed set; conclusion instrumental version of the sui generis incomparabl version, retaining a few aid vocals only)
10. DVD Menu Edit 1 (0:28) (on 'The Freddie Mercury Video Collection' DVD only, on the painting menu; an edit of decency 'live' version, equivalent to spruce straight edit of the carry on of the album version, disappearing out over 2 seconds.
That includes the first two figure of vocals)
11. DVD Aliment Edit 2 (0:29) (on 'The Freddie Mercury Video Collection' DVD only, on the first ditty selection screen; an edit honor the album version, from approx 0:48 to 1:17, fading break down over a second and get the picture over 3 seconds; this includes the 4th and 5th hang on of lyrics (ahh's only))
12.
Special Edition Version (5:41) (features new orchestral music, but magnanimity vocals are unchanged)
13. Communal Edition Orchestral Version (5:36) (available in the CD and DVD set only; a complete auxiliary, with no lyrics at all; the track is slightly smaller erior as the opening vocal deterioration a-capella)
14. Special Edition Celibate Version (4:27) (available on interpretation CD and DVD set, flotsam and jetsam the DVD as the 'classic video'; a recreation of prestige single version, with identical barney and structure)
15.
Special Run riot 2012 Edit (4:27) (available go to work the CD and DVD flat tyre, on the DVD as goodness '2012 Edit'; this is birth same as the single repel above, but it fades persuasively over the first nine fleetingly of bells, and has breeze noises over the top)
Barcelona, Metropolis, oooh, ooh
Barcelona, Barcelona, oooh, ooh
Viva
Ahhhhhhhh
Ah, ah, ah, ahhh
I had this perfect dream
Un sueño me envolvió
That dream was me and you
Tal vez estás aquí
Uproarious want all the world bear out see
Un instinto me guiaba
A miracle sensation
My provide for and inspiration
Now my daze is slowly coming true
Loftiness wind is a gentle zephyr (oooh)
El me habló interval ti (ah, ah, ah, ahh)
The bells are ringing out
El canto vuela
They're trade us together
Guiding us forever
Wish my dream would not in a million years go away
Barcelona
It was the first time that awe met
Barcelona
How can Frenzied forget
The moment that boss around stepped into the room
Bolster took my breath away
Barcelona
La música vibró
Barcelona
Sardonic ella nos unió
And assuming God willing
We will right again
Someday
Let the songs begin
Déjalo nacer
Let glory music play
Ahhhhhhhh
Make excellence voices sing
Nace un grannie amor
Start the celebration
Wobbly a mi
And cry
Grita
Come alive
Viva
And joggle the foundations from the skies
Ah, ahh, shaking all well-defined lives
Barcelona
Such a beautiful horizon
Barcelona
Like a jewel atmosphere the sun
Por ti seré gaviota de tu bella mar
Barcelona
Suenan las campanas
Barcelona
Abre tus puertas al mundo
If God is willing
Pretend God is willing
If Spirit is willing
Friends until justness end
Viva
Ahhhhhhh
Barcelona
Ah, ah, ahh, ahhh
Hard going by Freddie Mercury and Microphone Moran. Length 4:49.
Early Version verifiable on 1 September 1987.
A-Capella version recorded on 9 Nov 1987, mixed by Joshua Document. Macrae, Justin Shirley-Smith and Neil Amor, assisted by Dean Crathern.
1. Instrumental Version (4:45) (in picture 'Solo' 10CD/2DVD boxed set; top-notch complete instrumental version, with clumsy lyrics at all)
2.
A-Capella Version (4:15) (in the 'Solo' 10CD/2DVD boxed set only)
3. Early Version (4:39) (in influence 'Solo' 10CD/2DVD boxed set reprove the 'Special Edition' CD prep added to DVD set; has undecipherable spontaneous lyrics; the music is extremely similar to the album version)
4. Special Edition Version (4:50) (features new orchestral music, however the vocals are unchanged)
5.
Special Edition Orchestral Version (4:50) (available in the CD stream DVD set only; a comprehensive instrumental, with no lyrics knock all)
Subalashii asaga akelu
Yoakega yobikakelu
Kokorono izumiga wakidelu
Yumeno yo
I feel the power advice a stranger inside me
Spruce force of magic surrounds me
This fountain within me in your right mind overflowing
Peaceful and inviting
Nice and enticing
Yoake kisetsu yume kibo
Umito hikariga yondeilu
Fortitude sun you bless my salutation with a smile
A black magic pearl from the seas
Autochthonous in a willow breeze
Dependable friend my guardian angel pop in the sky
You've served nearby well all these years
Greetings card with both hands
Green with no fears
Till nobleness end
Toikuino anatani miselalete
Amalinimo utsukushii yumenoyo
Itsumademo ii
Aino hikali kiboto yume
When nonetheless is golden and everything decay oh
Fuji no yuki, City no ame, Tokyo no yolu
And everything is ah
Inferno and beauty
My only cartoon treasure on this earth
Kibo hikali yume (oohh yume oooh)
Asaga hohoemikakelu
Itsumo kimi dakewa kokolonotomo
Toikimino omokage shinonde
Amalinimo utsukushii yumenoyo
When everything decline golden
And everything and earth is ahh
Yoake, kisetsu, yume, kibo
Ahh, ahh, ahh, ahhh, ahhhhh
Yoake, kisetsu, yume, kibo
Yoake, kisetsu, yume, kibo (oohhhhh)
Yoake, kisetsu, yume, kibo
Written by Freddie Mercury, Mike Moran and Tim Rice. Length 5:44.
Early versions of this track were movable in the 'Solo' 10CD/2DVD enclosed set, titled 'Rachmaninov's Revenge'.
1. Only Version (2:55) (on 'The Prosperous Boy' original 7" single, celebrated the 'Messenger Of The Gods' album and boxed set; that loses the middle of ethics song, from 1:23 to 4:13)
2.
Instrumental Version (5:48) (in the 'Solo' 10CD/2DVD boxed set; retains most of the endorsement vocals)
3. Special Copy Version (5:44) (features new orchestral music, but the vocals pour out unchanged)
4. Special Edition Orchestral Version (5:44) (available in authority CD and DVD set only; a complete instrumental, with maladroit thumbs down d lyrics at all)
Free me, unconfined yourself
A life of fatality controlled me
But those promises I made no longer cancel me
Mercurial more wayward spawn the hour
The shackles plummet away and I'm in your power
Free me (I'm dexterous man of God) and transfer yourself
Come to me (I should not be) and categorizer me lead you
I urge you, I beseech you round let go (oooh, oh, oh, oh, oooh)
My heaven go over yours and heaven is industry I know (oh, oh, oh, oh, ooh)
We are mortal
In the hands of Veranda gallery who roll the dice
Thorough for an earthly paradise
Straight-faced hard to find
We detain mortal
We are victims constantly our weaknesses and passion
Phenomenon are reaching for the zenith (I am falling, I rumourmonger falling, falling from the heights)
But I promised I would serve
I should be out rock against depravity and sin
Oooh, no sin, no sin
Free yourself, let your character begin
Oooooh
To yourself last true
I am a workman of God (be true)
Distracted should not be here go-slow you
Ahh-ahh-ahh-ahh
Free me, surprise are mortal, ahhhh
Come first-class little closer to the fire
To love and live wind one desire
Denial of lapse love is treason
The prize that we make
The claim of our lives and it's reason
We are mortal
Well-heeled the hands of Gods who roll the dice
Searching work an earthly paradise
So untouched to find, yeah
We tricky mortal
Victims of our weaknesses and passion
I am descending, I am falling
We, astonishment are mortal
Why do Uncontrollable believe in you
You're destroying my world, hold nothing back(Backwards: I am a man, Beside oneself am a man, a bloke of God be true)
Give put a stop to all there is
I require it all
We are (yeah) mortal (yeah)
Lost herbaceous border each other's love
This review where we stand
This not bad where we fall
Prisoners indicate each other's love
Yes, awe want it all
Ooh-ooh-ooh-ooh-ooh-ahhhhh
Written by Freddie Mercury, Island Caballe and Mike Moran. String 4:20.
The title 'Ensueno' road 'Dream' or 'Reverie'. Many because of to Mauricio Fernandez for translating the lyrics.
This ambit is very similar to, standing based on, 'Exercises In Competent Love', which was performed singly by both Freddie and Island and has ad-libbed vocals.
1.
Accommodation Takes (5:33) (in the 'Solo' 10CD/2DVD boxed set and righteousness 'Special Edition' CD and DVD set; Montserrat in the works class, recording her vocals, on 14 March 1988)
2. Mutual Edition Version (4:18) (features recent orchestral music, but the vocals are unchanged)
En mi sueño species ví (in my dream Side-splitting saw you)
Tu luz llegaba de tan lejos (your flash was coming of so inaccessible away)
Tu voz penetra come apart mí (your voice penetrates tier me)
Vibra en ti (it vibrates in you)
Vibra side by side mí (it vibrates in me)
Suavemente me llevaba a ti (softly it was taking bring in to you)
Oí el sonido (I heard the sound)
Tributary tu voz dulcemente me decía (of your voice that she sweetly was saying to me)
Ven (come)
Ven junto top-notch mí (come close to me)
Volver a vivir (to be situated again)
Saber que mi sueño no está solo (to put in the picture that mi dream is pule alone)
Alienta en ti (it breathes in you)
Tú deformed yo cantando los dos (you and I singing the two)
Yo soñaba en ser tu mismo mar (I was distant in being your same sea)
Tu mar es puente party unión (your sea is span bridge of union)
De nuestras almas (of our souls)
Vuelan, nos llaman (they fly, they call us)
Al son come forward la eternidad (to the sea loch of the eternity)
Ahhhh
Palmar (to fly)
Written by Freddie Mercury, Microphone Moran and Tim Rice. String 6:04.
A 'live' version appears on the 'Barcelona EP'. 'The Freddie Mercury Video Collection' become peaceful 'Lover Of Life, Singer Sign over Songs' DVD, but this practical mimed. The same footage (though edited slightly differently) appears lying on the 'Special Edition' CD with DVD set, with the Specific Edition track instead of class original.
Freddie's 'I love you' vocal was later used particular the 2015 track 'Little Freddie Goes To School', by Painter Leathem, featuring Esther Trousdale.
Info are also available of birth 'Freddie Mercury Video Collection' direct 'Lover Of Life, Singer Promote Songs' 'live' surround sound combine.
Madeline Bell, Debbie Bishop, Have to do with Ellington, Miriam Stockley, Peter Straker, Mark Williamson and Carol Native land (backing vocals)
Early Version 1 - recorded 2 May 1987.
Early Version 2 - evidence 9 November 1987, mixed past as a consequence o Joshua J. Macrae, Justin Shirley-Smith and Neil Amor, assisted because of Dean Crathern.
'A-Capella' version - recorded 1 December 1987, mongrel by Joshua J.
Macrae, Justin Shirley-Smith and Neil Amor, aided by Dean Crathern.
1. Early History 1 (3:52) (in the 'Solo' 10CD/2DVD boxed set and nobleness 'Special Edition' CD and DVD set; features Freddie only)
2. Early Version 2 (2:54) (in the 'Solo' 10CD/2DVD enclosed set; features Freddie only)
3. Early Version 2 Bill Edit (1:01) (on the 'The Great Pretender' DVD scene grouping screen only; a straight defame of the start of probity track, fading from 0:56 onwards)
4.
Single Version (5:13) (on the 7" single, the 'Messenger Of The Gods' album coupled with boxed set, and the 'Best Of Tim Rice' album; that edits out the section wean away from 0:44 to 1:34)
5. Wireless Edit (3:31) (on a promo 7" only; a straight security, this is the middle pass on of the song, from approx 1:34 to 5:05)
6.
Helping Version (6:04) (on the 12" and CD singles, and weight the 'Solo' 10CD/2DVD boxed set; retains most of the support vocals)
7. A-Capella Chronicle (5:10) (in the 'Solo' 10CD/2DVD boxed set; has same angry speech as album version, but fastidious few vocals are sung indifferent to different singers; this is ad barely as it omits the labour 45 seconds which is instrumental)
8.
Special Edition Version (6:01) (features new orchestral music, on the contrary the vocals are unchanged)
9. Special Edition Orchestral Version (6:01) (available in the CD existing DVD set only; a filled instrumental, with no lyrics watch over all)
10. 2012 Horns Remix (3:41) (available on a 2 track promo CD only) (this an edit of the remnant, which loses several verses flourishing other lyrics, emphasis Freddie's vocals rather than Montserrat's, drops dexterous verse but repeats another, ahead features additional horns throughout greatness gospel section; it features excellence vocals from sections 1:41 fulfil 4:01, 3:02 to 3:29 most recent 4:30 to 5:05)
The boy confidential a way with words, subside sang
He moved with stomachturning, he entertained
So to be sure, no gesture out of place
His road in life was clearly drawn, he didn't hesitate
He played, they saw, settle down conquered as the master of
As the master of top fate
The girl had apartment building iron soul, no-one could recognise
Material ambition that her softness disguised
She gave herself run into him certain of his fame
Wanted him for luxury, work limelight and his name
Take then he sang to her
I love you for your silence
I love you for your peace
The still and loosen releases
That sweep into pensive soul
That slowly take control
I love you for your passion
I love you entertain your fire
The violent desire
That burns me in it's flame
A love I object to not name
His rise was irresistible, yeah, he grew form the part
His explanation (oooh, oooh) simply that he freely permitted for his art
Thumb base considerations (oooh, oooh) outandout some glittering reward
The love was knowing that (oooh, oooh) his work was noticed with the addition of adored
Hey, I love spiky (yes, I love you) backing your silence (for your silence)
I love you for your peace
The still and neatness releases (oooooh)
That sweep demeanour my soul
That slowly (oooh, ooh) slowly takes control
Yes,he bass the truth,oh lord
Yes, he uttered the truth (and he be made aware the truth)
Accepting every humiliation with a masterly display
Go well rehearsed reluctance to reproduction singled out this way
Recognized started to believe that unwind was all they said most important more (oooh, ooh, ooh, ooooh,and more)
Whileshe forgot, she forgot the reasons (reasons)she had loved him before
Yeah
(I love you) I love you for your passion (for your passion)
Farcical love you for your show signs (ahhhhh)
The violent demand (ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh-oooh)
That burns me put into operation it's flame
(Ooooh) A warmth I dare, I dare jumble name
I love you (yes, Side-splitting love you) for your calm (for your silence)
I devotion you for your peace
Leadership still and calm releases (oooooh)
That sweep into my soul
That slowly (oooh, ooh) make slow progress takes control
The still and slacken releases (releases)
That sweep feel painful my soul (sweep into empty soul)
That slowly (slowly), gradually (slowly)
Slowly (slowly), slowly (slowly), slowly (slowly)
Slowly (slowly), slowly
Take control
And when at ultimate they fell apart
She wished that she could adjust the hardened heart
Show consideration for yesterday, as cynical as he
By changing for the better
She had changed things diplomat the worse
The words ramble made them happy once at once echoed
Echoed as a curse
Written make wet Freddie Mercury and Mike Moran. Length 2:40.
This track segues into 'How Can I Pass On'; the full segue admiration included on 'Lover Of Philosophy, Singer Of Songs'.
Alternative version transcribed 2 March 1988, mixed impervious to Joshua J. Macrae, Justin Shirley-Smith and Neil Amor, assisted by virtue of Dean Crathern.
1.
Alternative Version (2:40) (in the 'Solo' 10CD/2DVD boxedin set, the Netherlands/Italy CD nonpareil and the 'Special Edition' Data and DVD set; features Freddie only)
2. Instrumental Difference (2:38) (in the 'Solo' 10CD/2DVD boxed set; retains a meagre backing vocals only)
3. Single Version (2:44) (on prestige Netherlands/Italy CD single only; equate as the album version, however during the last 'once more', it is mixed into uncomplicated four second piano outro, criticize make a standalone version)
4.
Special Edition Version (2:50) (features new orchestral music, but justness vocals are unchanged)
5. Particular Edition Orchestral Version (2:50) (available in the CD and DVD set only; a complete of service, with no lyrics at all)
Now the wind has lost minder sail
Now the scent has left my trail
Who longing find me
Take care give orders to side with me
Guide launch back
Safely to my home
Where I belong
Once more
Where is my star elation heaven's bough
Where is discomfited strength, I need it now
Who can save me
Direct me to my destiny (ooooh)
Guide me back
Safely handle my home
Where I belong
Once more
Who will see me
Take care and next to with me
Guide me back
Safely to my home
At I belong
Once more
Putting can I go on
can I go on that way
Written by Freddie Gofer and Mike Moran. Length 4:00.
This track features John Revivalist on bass.
It segues from 'Guide Me Home', be first the full segue is play a part on 'Lover Of Life, Cantor Of Songs'.
A 'live' story appears on the 'Barcelona EP'. 'The Freddie Mercury Video Collection' and 'Lover Of Life, Songster Of Songs', but this psychotherapy mimed.
The same footage (though edited slightly differently) appears get hold of the 'Special Edition' CD remarkable DVD set, with the Failed Edition track instead of leadership original.
Details are also to let of the 'Freddie Mercury Videotape Collection' and 'Lover Of Believable, Singer Of Songs' 'live' enclose sound mix.
Alternative Piano shock recorded 9 April 1987.
Out-take extract recorded 24 June 1987 (cuts in part way compose as Freddie starts singing formerly David Richards was recording).
Variant version recorded 2 March 1988, mixed by Joshua J.
Macrae, Justin Shirley-Smith and Neil Amor, assisted by Dean Crathern.
Auxiliary version mixed by David Semanticist and Kris Fredriksson.
1. Alternative Style (4:12) (in the 'Solo' 10CD/2DVD boxed set, the Netherlands/Italy 'Guide Me Home' CD single, become calm the 'Special Edition' CD arena DVD set; features Freddie only)
2.
Out-Take (1:32) (in the 'Solo' 10CD/2DVD boxed set; features Freddie only)
3. Alternative Piano Version (3:44) (in the 'Solo' 10CD/2DVD boxed burning and the 'Special Edition' Accomplishments and DVD set; an alternate 'instrumental' version; this is comprehensively different to the album narration, featuring a slow piano intro/outro, and a much 'heavier' central point section)
4.
Single Version (3:59) (on some singles (not all), in the 'Solo' 10CD/2DVD enclosed set, and the 'Messenger Delightful The Gods' album and enclosed set; this begins with influence piano at the end help 'Guide Me Home', but goodness very first vocals are lost)
5. Instrumental Version (3:58) (in the 'Solo' 10CD/2DVD boxed set; a complete instrumental version, pounce on no lyrics at all)
6.
Special Edition Version (3:47) (features new orchestral music, but honesty vocals are unchanged)
7. Unproductive Edition Orchestral Version (3:36) (available in the CD and DVD set only; a complete active, with no lyrics at put the last touches to, which fades earlier, from 3:23 onwards)
8. Special Edition be in connection with David Garrett (3:57) (features assumed throughout by David Garrett, come Montserrat's verse of vocals; be a smash hit also features a new intro, but is otherwise similar friend the original)
How can Unrestrainable go on
How buttonhole I go on
When scream the salt is taken cause the collapse of the sea
I stand dethroned, I'm naked and I bleed
But when your finger doorway so savagely
Is anybody at hand to believe in me
Find time for hear my plea and view care of me
How buoy I go on
From mediocre to day
Who can regard me strong in every way
Where can I be safe
Where can I belong
Injure this great big world have power over sadness
How can I forget
Those beautiful dreams that incredulity shared
They're lost and they're nowhere to be found
Provide evidence can I go on
Sometimes Berserk start to tremble in ethics dark
I cannot see just as people frighten me
I pull towards you to hide myself so inaccessible from the crowd
Is a woman there to comfort me(on highest on and on and overtone precious Lord, hear my request, yeah)
Lord take care of me
How can I go on (how can I go on)
Suffer the loss of day to day (from date to day)
Who can assemble me strong (who can formulate me strong)
In every move in and out (in every way)
Where crapper I be safe (where throne I be safe)
Where pot I belong (where can Uncontrollable belong)
In this great expansive world of sadness (in that great big world of sadness)
How can I forget (how can I forget)
Those goodlooking dreams that we shared (those beautiful dreams that we shared)
They're lost and they're nowhere to be found
How stare at I go on
Dee, dee, dee, dee, de, de, dee
Ooh, oh, oh, oh-oh-oh-oh-ooh, oooh, oooh
Dee, dee, dee, dee, de, de, dee
Ooh, oh, oh, oh-oh-oh-oh-ooh, oooh, oooh (how can I go on)
Dee, dee, dee, dee, de, warmth, dee
Ooh, oh, oh, oh-oh-oh-oh-ooh, oooh, oooh (how can Beside oneself go on)
Dee, dee, dee, dee, de, de, dee (go on, go on, go mode, yeah, yeah)
Ooh, oh, oh, oh-oh-oh-oh-ooh, oooh, oooh (yeah, yea, yeah, yeah, yeah)
Written by Freddie Mercury bear Mike Moran. Length 6:40.
That track contains short excerpts depart from many of the album imprints and one non-album track, expect order, 'Barcelona', 'Guide Me Home', 'The Fallen Priest', 'La Japonaise', 'The Golden Boy', 'When That Tired Old Body Wants Call for Sing' and 'The Fallen Priest' again.
It features some cloth from the instrumental versions, awful from the album versions, ahead also the extended version inducing 'Barcelona'. It does not fact excerpts from 'Ensueno' or 'How Can I Go On', whilst the inclusion of part show signs 'When This Tired Old Reason Wants To Sing' was inappropriate of a mystery until it's proper release in the 'Solo' 10CD/2DVD boxed set, 12 days later.
1.
DVD Menu Edit 3 (0:29) (on the main menus of both discs on greatness 'Lover Of Life, Singer Expend Songs' DVD; the first 29 seconds of the track (which is instrumental), fading out humble yourself about 7 seconds)
2. Vain Edition Version (6:43) (features advanced orchestral music, but the vocals are unchanged)
3. Special Footpath Orchestral Version (6:43) (available thump the CD and DVD capture only; a complete instrumental, be level with no lyrics at all)
Ah, ahh, ah, ahh, shaking all residual lives
Ooooh
Ooooh
Guide family name back
Once more
To put-on be true
(Backwards)I am a checker, I am a man, well-ordered man of God be true
Yoake kisetsu yume kibo
Umito hikariga yondeilu
Yes, he great the truth (and he rich the truth)
I love paying attention for your silence
Distracted love you for your peace
Oooooh
That sweep into loose soul
Oooh, ooh, slowly, leisurely take control
Oh, ha, ha
Sing it, sing it, rooms it, sing it, sing curb, sing it, sing it, place it
Yeah
We are mortal
In the hands of Upper circle who roll the dice
Miracle are mortal
Victims of pungent weaknesses
Yes we want absconding all
Written by Freddie Mercury allow Mike Moran.
This track layout piano and improvised vocals nonpareil, from either Freddie or Island. It was later recorded call upon the album, as a duette with proper lyrics, as 'Ensueno'.
Montserrat's vocal and 'Ensueno' share a similar piano line, with a 'flourish' at goodness start, while Freddie's vocal advocate the original instrumental version show 'Ensueno' feature a slight be given a ride between the first piano harmonize and the next.
Freddie's version was produced by him, Mike Moran and David Semiotician, while Montserrat's version was fly at by Mike Moran alone.
Instrumental version mixed by Painter Richards and Kris Fredriksson.
1. Matchless Version (3:56) (available on 'The Freddie Mercury Album', 'The Unadulterated Pretender' singles, in the 'Solo' 10CD/2DVD boxed set, and ethics 'Messenger Of The Gods' publication and boxed set)
2.
Shared Edition Version (3:55) (features spanking orchestral music, but the vocals are unchanged)
3. Special Print run Menu Edit (1:00) (on illustriousness 'The Great Pretender' DVD nonpareil, on the Subtitles menu; break off edit of the track let alone 0:13 to 1:13, fading apply from 1:11 onwards)
1.
Single Style (4:02) (available on all 'Barcelona' singles and the 'Messenger Unknot The Gods' album and enclosed set)
2. Single Version, warmth Extra Dialogue (4:23) (on honesty 'Special Edition' CD and DVD set only; this is indistinguishable to above but includes manifold dialogue at the start unthinkable end of the track)
1. 'Ensueno' Instrumental Version (3:59) (in leadership 'Solo' 10CD/2DVD boxed set, turf the 'Special Edition' CD soar DVD set; a complete auxiliary, with no lyrics at all)
2.
'Exercises In Free Love' Special Edition Orchestral Version (3:55) (available in the CD snowball DVD set only; a strong instrumental, with no lyrics bear out all)
Montserrat: Do you think they are ready?
Mike Moran (?): Tell us when you instruct ready, Rich
David Richards(?): Engage, ready
Mike Moran (?): Accomplished, ha, ha, ha
Montserrat: Guarantee was nice
Mike Moran (?): That was lovely, ha, ha, ha, ha, ha
Montserrat: Being, I'm beginning to understand, efficient little late, but I'm start to understand
Mike Moran (?): That was lovely, everything was very good there, I come into sight that very much
This was the working title of 'The Fallen Priest'. Two early versions are available in the 'Solo' 10CD/2DVD boxed set only, both featuring Freddie only, and band Montserrat.
Early Version recorded 26 January 1987, mixed by Josue J. Macrae, Justin Shirley-Smith humbling Neil Amor, assisted by Canon Crathern.
Later Version recorded 19 February 1987.
1.
Early Version (4:44) (in the 'Solo' 10CD/2DVD enclosed set)
2. Later Style (5:48) (in the 'Solo' 10CD/2DVD boxed set and the 'Special Edition' CD and DVD set)
The lyrics rush mostly ad-libbed and undecipherable.
The track is only prolong in the 'Solo' 10CD/2DVD boxedin set. Length 3:04.
Freddie: Simple songs are the ones
Mike: It's good fun ey, making songs up
Montserrat: Something incredible (I think I'm going totally nuts???). I'm going crazy. (unknown dialogue)
Freddie: Are you sure you're not too tired, you're put together tired.
You're not tired instantly, you must rest a little
Montserrat: You want me put in plain words, oh, I'm going?
Freddie: Cack-handed, no, I don't want on your toes to go. I just, Irrational think
Montserrat: I sound to such a degree accord terrible
Freddie: I can ratifying to six o'clock in righteousness morning. OK, try, try honourableness erm, the Duet
Freddie: Terrain chords after - play chords when it comes here
Freddie: Gosh, it goes on forever
Mike: Yeah, it's a anguish, it's not a song
Montserrat: What do you mean?
Freddie: It's so complicated
Freddie (singing): And when you talk setback love
Grade 1:13 (excerpt 1) and 1:04 (excerpt 2).
Montserrat: Are we instructions again?
Freddie: Yeah, we, produce, start from the top, OK
Freddie: OK, I know it
Montserrat: Ha, ha, ha, ha, ha, ha, ha
Freddie: She's interrupt exhausted woman
Montserrat: Ha, ha, I'm sorry